
Finding something worthy of pointing your camera toward is the first priority of the serious photographer. We spend a lot to time just scouting when we visit a new place. This was our first and only trip to Yellowstone National Park. Having no idea of what we would find, nor exactly where to start, you just drive and look. This particular day we were exploring along a narrow one way loop road that followed Hot Creek. There was certainly plenty of rushing water and great photo opportunities everywhere. We came upon the fall about mid afternoon and I knew immediately this was something very special. I see images mostly as a flash in my mind. Sometimes it is just a glimpse in the corner of my eye. Other times it is obvious there is something that requires further investigation. This was certainly something to explore in more detail. Who could pass up a large waterfall beside the road? When asked how I choose which camera to use, my normal response is, the largest one I can get into position. This is especially true for landscapes. The biggest obstacle is just how far I can carry any one camera. The 11x14 requires four trips to set up and make a photo. Since there was ple Next I had to scout out a suitable position for the camera. The placement of the tripod is crucial to the framing of the photo. Everything affects the finished image. Just moving a few feet, or inches, can make all the difference. I use an old Zone VI combination viewing filter and framing device to help me locate the camera position and approximate the focal length lens I will need. For this image the position from the edge of the road was far too high above the fall and too far away. I made my way down the steep embankment of loose dirt and rock as far as I could get before encountering a sheer vertical drop of twenty five feet or so to the stream bed. This position was also near thirty feet below the road and gave me the vantage point I wanted. At this point I was getting very excited about the image possibilities. There is something about finding subject matter that is visually stimulating. The possibilities in my mind for the look of a finished print was taking shape. I This is a common occurrence, we would have to make some notes as to the place and time of day and return another time. What I had to hope for was that the next day would not be cloudy. We would arrive about an hour or more earlier in order to get the camera set up and then wait for the light. Fortunately the next day we had clear skies, prefect for the image of Hot Creek Fall I was after. I heaved the tripod, camera, lens, dark cloth and film holder down the embankment and took up a position just at the edge One of the biggest challenges is finding a suitable subject and then presenting it in a manner that portrays your vision. Most of the time this requires patience. Sometimes there is only one very specific time of day when everything lines up just right. When it works it is great, if it does not work, you may have to come back over and over till it all happens.
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