ULF Photography

DON’T GET TOO HUNG UP ON TESTING

SCALEWe have been on a quest for that little something extra in the photographic print. There are great prints, then there are prints that have that magical something. Printing comprises a great deal of the quality of the finished print, but you have to have the information on the negative before you can make the print. We have used Pyro film developers for some time now, and every time we find a new formula we do a little film testing and then eagerly head to the field to see what we have.
We have had great luck with several of the modern Pyro developers, but it has become confusing as to exactly what each formula did that made us change. So we have embarked on an all-inclusive, side-by-side, test of our favorite four Pyro developers.

This has turned into a little more of a project than originally anticipated. We had to design and build a film sensitometer. Then we had to gather data, plot curves and evaluate them. Then it was off to field testing. No laboratory test will tell you what the real world result will be. But knowledge is power and squeezing every little bit out of your film is what makes great images. You have to push the limits and find the boundaries.

This has been quite an experience, all in all, and I would not suggest anyone go to such lengths unless you are really curious. The bottom line is, don’t get too hung up on testing. You can waste a lot of time testing. Sometimes you are better off just getting out and making photos. Make the mistakes in the real world, find the answer, solve the problem and get on with your work. You can look at what you bring back and make the necessary adjustment on the fly. Or, you could build a sensitometer and do the testing. It is up to you just how far you really want to go. Just remember, do not let the testing get in the way of your creativity!

In a nutshell: Do not spend a disproportionate amount of your time testing!

JB

Posted by JB Harlin in Darkroom, Film, Photography, The Darkroom Workshop

WHERE HAVE ALL OF THE PHOTOGRAPHY CLUBS GONE?

JB Harlin With 11x14 Camera

JB Harlin With 11×14 Camera

To answer that question, Camera Clubs have turned into Computer Clubs! Why? I really do not know why, but I have an idea.

People in general are consumer driven by what the large manufacturers say and do. Certain large, should I say behemoth, manufacturers have taken the initiative to try and influence the photographic market place. Corporate bean counters are forever trying to enhance the bottom line. These so called Harvard MBA’s have little to no experience in reality, they just look to their book learning and spread sheets for bigger, better, faster. They are paid to find pie-in-the-sky schemes that look good for the bottom line. They know little about the product nor its users. And, they really don’t care about anything beyond the quarterly report to the board and share holders. This mindset has filtered into the film photography industry. They don’t care about their product nor their customers beyond what they can get from either or both. Hence the battle cry “Film Is Dead” has gone out through the photography world because someone thinks that is where they can make the most money. And, people, sadly most people, follow like sheep. Repeating the call and believing it is true.

How many times have I been asked, “where do you get film for that camera?” This gets really old in a hurry, but the reality is, people are just misinformed. Way too much TV, radio, magazine ads, billboards, newspapers, Internet, etc, for anyone’s good. We, as a society, are pounded day and night with endless advertising. And, sadly, we believe it! “We couldn’t say it on TV if is wasn’t true” is something I hear on some infomercial. Remember, advertisers will tell you anything to get your money!

OK, so what does this have to do with the Camera/Computer Club? It seems that they have become one of the sources for the misconception of the Film Is Dead hoax. Go to most any club, bring up film, and you will be instantly told there is no such thing. It is not that they are trying to intentionally mislead, they are just misinformed. They have bought into the hoax, because it is what they have heard somewhere. And what ticks me off is the fact that they continue to spread false information.

My wife and myself in the past were involved with camera clubs. Why? Because it was a place to meet like-minded individuals and share our interests. Several years ago we found that more and more we had little in common with the other members. They were speaking in tongues, discussing materials and equipment we knew nothing about and had no interest in learning. You can say we lost that ‘like mindedness.’ We cease to be interested and are no longer members.

So, why should this bother me? Because misinformation is detrimental to creativity and the art of photography. I really don’t care if you shoot digital. It is simple; Digital Is Its Own Art Form! Acrylic paint did not replace oil for the painter. In this modern age, people still use candles, hand write letters, ride horses, and who knows what else that has evolved into some more up-to-the-minute technology. Why this all-out move to kill film photography and to try and convince anyone interested that digital is the only choice?

What bothers me is the fact that clubs preach from the rafters the falsehood that film is gone. What if someone wanting to express their artistic vision joins a camera club to learn the craft? They are told film is no longer manufactured, not available, don’t bother. Then they spend their time and money working with digital only to learn later that film is still alive and possibly more important, the direction more suitable to their vision. Film is another medium for their expression. They have now wasted valuable time and resources exploring a medium that is not suitable to their creativity.

A good club, at least for me, would foster all forms of photography, from digital, to the most extreme alternative processes. That way those interested in the medium could see what is really available and make the choice as to which process is right for them. The world is not a one-size-fits-all society. Creative people have something to say. They may write, sculpt, paint or photograph. What is important to the beginner is that they see what their options are, so they can make an intelligent choice. No one should be funneled down the wrong path just because the local Computer Club feeds them a line of BS based on a hoax. If you are just starting out in photography, be very careful if you choose to start with a Camera Club! It could just cost you the most valuable commodity you have. . . TIME!!!

And, to those that are in charge of the local camera clubs, pull your head out of the sand and look around. There is an entire world of photographic imaging, from digital to exotic alternative processes where you create your own emulsions. You just have to look for it somewhere beyond the narrow minded Hoax of Film Is Dead. Please, don’t tell the next new person that comes to a meeting that digital is the only game in town!!!

JB

Posted by JB Harlin in Commentary, Darkroom, Film, Photography

Who Says Film Is Dead?

Susan Harlin with 8x20 FILM camera

Susan Harlin with 8×20 camera

You may find it hard to find that roll of color film. You may even find it even more difficult to find color sheet film. But Black & White film. . . now that is another story. Large Format and Ultra Large Format cameras and film are more popular among photographic artists than ever. Don’t believe it? Try an Internet search and see what you come up with.

Here is an article done by our local newspaper back in 2006 that says a lot about film photography.

As the industry shifts away from film cameras, some photographers stick with tradition

We support film and film photography and applaud those that choose this artistic medium for their personal expression. To learn more, visit our web site.

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Posted by JB Harlin in Commentary, Photography

Hello & Welcome to the jbhphoto Blog

JB & Susan HarlinJ.B. and Susan Harlin comprise what could be considered members of a small, but growing, group of photographic artists that take the simple, basic approach very seriously. They use only time-honored tools and techniques for making their fine art black & white photographs. Their emphasis is upon making the photograph—not on the equipment, gadgets, or fads. J.B. says, “I feel that using the correct tool for the job is the most important decision you can make.”

This is exactly what they do. From the original conception of the image, to the finished framed fine art photograph, the emphasis is on quality—not quantity. Susan says, “I may spend a lot of time in the field and usually make relatively few negatives—but the ones I do make are well worth the effort.”

FINE ART PHOTOGRAPHY, THE OLD FASHION WAY

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Posted by JB Harlin in Commentary, Photography